Yes ‘Singham’ has nothing new to offer other than being a heavy baggage of standard Bollywood formulaic action fare that depicts the battle between the hero and villain.
From the start to finish, Rohit Shetty’s ‘Singham’ can be best described as a sprawling action drama. Ajay Devgn is uncannily compelling in the title character. He plays the upright principled cop Bajirao Singham, with a heart of lion and hammer like biceps ready to thrash villains.
Rohit Shetty’s Singham has all the familiar props seen in commercial action potboiler. The hero Ajay Devgn emerges and presents himself as a larger-than-life character that is patterned to be almost similar to Salman’s ‘Wanted’ and ‘Dabangg and also reminds one of action ny Amitabh in the 70s.
Shetty has paid a lot of heed to the action than the story and he does show that Ajay’s character is head and shoulders above every other character. Singham is a film about a one man machine fighting against evil and the corrupt aspiring politician Jaykant Shikre.
‘Singham’ which is a remake of Hari’s 2010 Tamil potpourri ‘Singam’ is a action movie with elements of romance, but the romantic scenes between Ajay and Kaajal Aggarwal are fairly dull and boring.
The first scenes in ‘Singham’, shows the entry of the six packed Bajirao Singham coming out from the holy water in a red dhoti, and people donning red costumes and praying for his health and happiness, which transports you to the ethnic flavored films of the 80s and 90s era.
Even though few of the scenes remind you of an old fashioned commercial film, 'Singham' doesn’t suffer any major setbacks, as it gives a broad share of laughs for some of the funny dialogues, which includes "Tu corruption sey paiday hua gandi nalee ka keeda hai.”
The sole credit of the film remains the unique combination of good performances by the characters and the succession of crisp dialogues.
Ajay gives a convincing and fine performance, while Prakash Raj does a neat job with his villain act. Meanwhile Kaajal doesn’t carve a niche in her role and the fine actress Sonali Kulkari is rather wasted in her role. Story-line
The film’s story revolves around the honest and virtuous cop Bajirao Singham (Ajay Devgan) who is from the small village of Shivgad on the Maharashtra-Goa border.
The adorable son of the village, Singham, resolves all disputes among villagers and settles their problems even by lending money when they are need.
And then comes an extortionist and politically ambitious Jaykant Shikre (Prakash Raj) from Goa, who does all kinds of illegal activities and goes scot free because of his connections.
Shirke, who has no conscience, is required to come to the police station everyday to show his presence after receiving bail in a case. But he gets into a war of words with Singham, as the police officer doesn’t allow anyone to mark his attendance on his behalf.
Meantime, through his connections, Shirke deliberately gets Singham transferred to his home land Goa. Incidentally from here begins the open challenge between Singham and Shirke.
However later Singham plans to quit his job after facing several hurdles but stays rooted after his girlfriend backs him. Bottom line
‘Singham’s format doesn’t run out of steam nor makes you yawn and stretch. This racy film has a funny climax.
Watch Ajay’s ‘Singam’ if you are eager to watch a complete action packed masala entertainer.
A mother seeking vengeance against the person who murdered her daughter is drawn into a deadly trap set by a self-righteous madman in this shocking horror thriller featuring necro-sexuals, baby killers, anarchists, white slave traders, pedophiles, neo-Nazis, and a whole host of ravenous, flesh-eating beasts. Ana Romero wants justice. A video of her daughter's death has just surfaced on the internet, and now Ana's only lead is an underground website called the "Gorehouse." Posing as an online trader of illegal videos, Ana sets out on a mission of justice. Descending ever deeper into a dark world of degradation and pain, the grieving mother is summoned to an abandoned factory in order to witness a "Bloodletting," an event in which an innocent person is tortured and murdered for the entertainment of discerning viewers. Once inside, Ana and a group of online deviants quickly realize that they've fallen into a trap. They've just stepped into one man's personal version of Hell, a place where the guilty go to suffer for their sins by doing battle with a bloodthirsty mutant who knows no mercy. Perhaps if Ana can survive this gruesome ordeal, she can finally track down her daughter's killer and experience the sweet release of bloody revenge.
A song sung by ROHAN RATHORE from IIT Guwahati and he was suffering from cancer. He sang this song for Supriya a girl he loved more than anything and anyone in the world. Unfortunately she didn’t return his love but this song was something he felt he had to do. He died just 15 days after recording this song. ( awesome song!! ♥ ♥ )
----------------------------- Download "Tune Mere Jana" From Here ----------------------------- ===== Lyrics ========
Oh love of mine, with a song and a whine,
You’re harsh and divine like truths and a lie.
But the tale ends not here
I have nothing to fear
for my love is a yell of forgiving and hold on.
In the bright emptiness, in a room full of it,
is a cruel mistress – my heart!
I feel this unrest, that nests all hollowness,
for I have nowhere to go and I’m cold.
And I feel so lonely yeah…
There’s a better place than this: emptiness.
And I’m so lonely yeah…
There’s a better place than this: emptiness yeah…
Aa.. aa.. aa…
Tune mere jaana.., kabhi nahin jaana..,
Ishq mera, dard mera.. haaye..
Tune mere jaana, kabhi nahin jaana,
Ishq mera, dard mera
Aashiq tera…
Bheed mein khoya rehta hai…
Jaane jahaan….
Poocho toh itna kehta hai -
That I feel so lonely yeah…
There’s a better place than this: emptiness…
And I’m so lonely yeah…
There’s a better place than this: emptiness yeah… ya..
Aa.. aa.. aa…
Tune mere jaana, kabhi nahin jaana, (You, my love, have never ever realized)
Ishq mera, dard mera (my love, my pain)
Tune mere jaana, kabhi nahin jaana, (You, my love, have never ever realized)
Ishq mera, dard mera (my love, my pain)
Aashiq tera… (Your lover)
Bheed mein khoya rehta hai… (remains lost in the crowd)
Jaane jahaan…. (My dear love, wherever …)
Poocho toh itna kehta hai – (… asked, he just says …)
That I feel so lonely yeah…
There’s a better place than this: emptiness.
And I’m so lonely yeah…
There’s a better place than this: emptiness yeah… -------------------------------- -By Pravin
Harry Potter and the Deathly Hallows - Part 2 (2011)
Movie Info :-
Harry Potter and the Deathly Hallows - Part 2, is the final adventure in the Harry Potter film series. The much-anticipated motion picture event is the second of two full-length parts. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here. -- (C) Warner Bros
This traditional Maharashtrian recipe is made of iron-rich poha. Don't forget to serve it with lemon wedges as it is the vitamin C present in lemons that aids the absorption of iron form the poha.
Preparation Time:
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Ingredients
2 cups thick poha (beaten rice flakes) 1/2 tspmustard seeds ( rai / sarson) 1/2 tspcumin seeds (jeera) 6 to 8curry leaves (kadi patta) 3 to 4green chillies , slit 1/2 cupchopped onions 1/2 cuppotatoes, peeled and cubed 1/4 tspturmeric powder (haldi) 1 tspsugar (optional) 2 tspoil salt to taste
For the garnish2 tbspchopped coriander (dhania) 4lemon wedges
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Method
Place the poha in a sieve and hold it under running water for a few seconds. Toss well to drain out all excess water and keep aside.
Heat the oil in a non-stick pan and add the mustard seeds and cumin seeds.
When the seeds crackle, add the curry leaves and green chillies and stir for 1 minute.
Aye Maalik Tere Bande Hum Ayese Ho Humaare Karam
nekee Par Chale, Aaur Badee Se Tale, Taankee Hasate Huye Nikale Dam
Ye Andheraa Ghanaa Chhaa Rahaa, Teraa Insaan Ghabaraa Rahaa
ho Rahaa Bekhabar, Kuchh Naa Aataa Najar, Sukh Kaa Sooraj Chhoopaa Jaa Rahaa
hai Teree Roshanee Mein Jo Dam To Amaawas Ko Kar De Poonam
Badaa Kamajor Hain Aadamee, Abhee Laakhon Hain Is Mein Kamee
par Too Jo Khadaa, Hain Dayaaloo Badaa, Teree Kirapaa Se Dharatee Thamee
diyaa Toone Humei Jab Janam Tu Hee Zelegaa Hum Sab Ke Gam
Jab Julmon Kaa Ho Saamanaa, Tab Too Hee Humei Thaamanaa
wo Buraee Kare, Hum Bhalaaee Bhare, Naheen Badale Kee Ho Kaamanaa
badh Uthhe Pyaar Kaa Har Kadam Aaur Mite Bair Kaa Ye Bharam